Cobra Kai Season 5 Review: A Story That Doesn’t Disappoint Despite Its Simplicity

The fifth season of Cobra-Kai builds on the pillars of the first four, and while that may sound simplistic, it’s quite the opposite. The Netflix series managed to dig deep into Karate Kid to enrich its history. Characters from the past come and go. With them come their memories and possible plot twists. A recycling of references that is successfully updated.

Cobra-Kai may not be a series for all audiences. It’s most likely not because of the tone of his humor, his self-reference, his scripted propriety, his fights without logical justification, and even some questionable acting. But the series that worked in its first season as a nostalgic exercise retains that essence. This is why his fans enter the story as one approaches a temple: without any fear of what they will find there. There will be satisfaction, relief and, in this case, entertainment. The fifth season, in this sense and by its standards, does not disappoint..

This new season continues to explore different ideas of family and the difficulty of finding a place in the world as a teenager. During these journeys, adults and children confront each other as if they had just come from mortal kombat that was all. The wild party of kicks and fists in the air calms down when one of them remembers why he is doing karate. The detail, beyond justification, is how its creators, Jon Hurwitz, Hayden Schlossberg and Josh Heald. Films and series integrate the whole of mythology.

Cobra Kai and the consequences of the past

After losing the All Valley, a tournament in which the existence of Miyagi-Do Karate and its philosophy was at stake, Cobra Kai took control of the discipline in the district. From a philosophical point of view, in this struggle between good and evil, the latter has the upper hand much more than one might initially suspect. Thomas Ian Griffith got revenge as Terry Silver. After a questionable performance in Karete Kidhere gives a convincing performance. He is the one who changes the life of Daniel LaRusso, played by Ralph Macchio.

Haunted by his ghosts, LaRusso nears the denouement gradually hinted at throughout the first four seasons: as he works to uphold the philosophy of his former master, the State Inspector. Mr. Miyagi (Pat Morita), his family was falling apart. This development is consistent and resonates with other stories Cobra-Kai is the story of seemingly perfect families and dysfunctional families. The detail is that, when the first are seen in close-up, they are not far from resembling the second.

The most obvious problem he poses Cobra-Kai is that of LaRusso and that of Johnny Lawrence, played by William Zabka. From different places and times in their lives, each tries to confront their inner demons, while karate and the philosophical debates that the discipline arouses condition part of their journey. Both are looking for a place that is often found with others, those who are not in the dojo.

Without Miyagi-Do karate, LaRusso loses his philosophical north. Lawrence, who has set out to find Miguel Díaz, played by Xolo Maridueña, is in Mexico. While one moves away from his family, the other gradually manages to compact his own. Meanwhile, Terry Silver moves on.

The megalomaniac side of the villain

Each opponent in Cobra-Kai runs through a theme of unbridled ambition and grandeur. The highest degree of megalomania is represented by the Terry Silver. Not only does he aspire to rule the neighborhood with his philosophy, but he also wants to reach the most important tournament in the world. Season after season, the series poses a greater challenge.

In his quest, he recycles formulas and methods of resolution. He doesn’t have many resources left. This is a project in which everything, even family disputes, will be resolved by blows and kicks. This is a principle that the story emphasizes from the beginning. You shouldn’t be surprised. At this point, it will be up to each viewer whether or not to accept the offer. Those who have already reached the fifth season are likely to applaud Silver’s choreography and growth.

The character who grew up on a second line now commands an army, as he defines his group of students. The one who aspires to go beyond traditional boundaries. To expand beyond that is to take the Terry Silver name to places it has never resonated before. The contrast with LaRusso and Lawrence couldn’t be stronger. They yearn for simpler, but no less complex goals, such as maintaining their relationships or making peace with their children.

If, until now, no mention has been made of Chozen Toguchi played by Yuji Okumoto it is because it deserves a special space. It was previously featured in Cobra Kai, but during this fifth season, his influence reaches heights. The story presents him as a mix of LaRusso and Lawrence, combining aggression with a philosophical background, tradition with showmanship.



After four seasons, Cobra Kai is a story that knows its limits and does not exceed them. This, although it can be seen as a problem, is one of its strengths. The production is aware of the reasons for its audience success and adheres to these ideas. He thus continues to offer a faithful and coherent story with the universe he has built up to now.

The pulse between LaRusso and Lawrence, with the appearance of Chozen Toguchi

Chozen Toguchi’s role is key in bringing LaRusso and Lawrence together to deal with the threat of Terry SIlver. His figure will not only bring competitive value to teaching. It will also help the protagonists learn lessons that will serve them well in fights where fists are less important than words. The personal relationships of this triad reverberate in multiple ways. Together they make classic references in mythology Karate Kid. The two men, who are inseparable in personality and transform each other, are also inseparable in personality.
Cobra Kai, fifth season, reviewsCobra Kai season 5 reviews
Among them are references to rocky and the parody of Top Gun. The first blink of an eye is understood from the influence. Cobra-Kai can be understood as the story of characters who must evolve as people rather than as athletes. Like Rocky Balboa did. The second tribute fits perfectly into the present in which the series is broadcast, with… Top Gun: Maverick filling theaters and breaking box office records.

Like previous seasons, the fifth season Cobra-Kai doesn’t mean to be deep, innovative, or even be plausible for a few moments. However, its approach to character development, its reliance on the absurd and its ability to poke fun at the era in which it was made, and its ability to poke fun at the era in which it was made, are all the more important Karate Kid is consistent with the narrative universe it has composed over its five seasons. That’s why, when the viewer imagines her running out of steam, something appears that brings the story to life. Otherwise, it reminds them that this is entertainment first and foremost. As if the production wanted to send a message: Take it or leave it.

Cobra Kai Season 5 Review: A Story That Doesn’t Disappoint Despite Its Simplicity