‘The woman in the house opposite the girl in the window’: Kristen Bell holds a curious Netflix miniseries that called for a more determined commitment to parody

The parody is a subgenre of comedy that enjoyed great popularity at the time, but the number of unfortunate tapes that came in the wake of ‘Scary Movie’ led to a brutal decline in public interest. And it will not be because there are no things to laugh about, but it seems that now it is more common to find it on television, where it cannot be said that it abounds too much.

In fact, I am convinced that a miniseries like ‘The woman in the house in front of the girl in the window’ would have been made as a movie at the time, thus allowing a more direct and focused approach to the situations he wanted to make fun of. That is one of the musts of this Netflix production starring a Kristen Bell effective in her role, something that cannot be said for the series.

a matter of tone

Your own title makes it clear that the objective of this miniseries are thrillers with literary origins in the style of ‘The Girl on the Train’ and ‘The Woman at the Window’, in which the curiosity of a woman with a trauma behind her leads her to become involved in a shady criminal plot. Hooky starting points that, at least in their adaptations to the big screen, later led to uninspired suspense stories.

Obviously, ‘The woman from the house across from the girl from the window’ also play the mystery card, to the point that there are phases of the series that capture that feeling of frustration very well because the script does not stop twisting what has happened to ridiculous limits. And there is a certain redemption for it due to the existence of a self-conscious factor that helps to degrease and give another air to situations that are already too common in serious works of this style.

The Woman Of The House In Front Of The Girl In The Window Scene

The problem is that the writers of the series know very well the narrative mechanisms that it parodies, but they are not as inspired when it comes to finding the right tone for the comedy to flow consistently. In the first episodes it is more present, but it tends to be a direct consequence of the protagonist’s attitude in different situations.

That’s the biggest success of the series, in proposing that the battered emotional state of the series can also be laughed at a bit, and do it from the absurd but not the excess. Unfortunately, that is something that fades away as things get more complicated and there comes a point where the fine line between parody and simply making the same mistakes as its referents blurs completely.

In crops of nobody

The Woman In The House Across The Way The Girl In The Window Kristen Bell

What remains then in ‘The woman in the house opposite the girl in the window’ is a parody with little spark in which you do not expect to see hardly any gags. Here a more relaxed approach is chosen in which the story matters but is also tiresome. The narrative and emotional swings that one might expect are there without the series knowing how to play with the more ridiculous side of what happens in a satisfying way.

In this way, there comes a point where Bell’s delivery is the only thing that prevents the set-up from collapsing, since eight episodes end up being too much for what ‘The woman from the house in front of the girl from the window’ and there is a great danger that the viewer will disconnect before everything gets out of control in the last episode.

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The point is that there comes a point where ‘The woman in the house across the street from the girl in the window’ takes too many things for granted and neglects its parodic component. It’s not that she never takes her proposal to the hilt, but the unforgivable flaw is that she often doesn’t seem to be laughing at anything either, coming perilously close to replicating. Because yes, there are somewhat ridiculous reactions and even questionable motivations of the characters, but any satirical spirit remains, in its best moments, halfway.

In short

The Woman Across The House The Girl In The Window Netflix Series

‘The woman in the house in front of the girl in the window’ has a curious start and Kristen Bell does everything in her power for the material they make available to her, but as a parody she only leaves small funny details and does not finish giving the necessary tone to shine and not end up as a kind of variant of the stories you want to laugh at rather than an effective satire. At least it’s not boring.

‘The woman in the house opposite the girl in the window’: Kristen Bell holds a curious Netflix miniseries that called for a more determined commitment to parody