Advances for the Great Theater of Vittorio Gasmann on TV on 16 September at 4 pm on Rai 5: “Il Mattatore – Episode 9” – Today, Friday 15 September on Rai 5 at 4 pm for the Vittorio Gasmann Grand Theater on TV, the ninth episode of “Il Mattatore“ will be aired.
In this episode Gassman reinterprets his acting career in an ironic way, starting from the first auditions made thanks to recommendations and from the roles of little thickness initially rejected and then accepted out of necessity.
He then recalls the film experience in the United States and plays a parody of “Seven Brides for Seven Brothers”. We then talk about his ambitions as a director and the film “Kean” he directed.
A bizarre court, with the public prosecutor played by Carlo Romano, condemns Gassman, for his presumption as an actor, to watch all the episodes of “Il mattatore”.
The Showman was a TV show with Vittorio Gasmann broadcast by RAI in the 1959 on the then National Program (later Rai 1). Divided into ten thematic episodes divided into two short cycles of five episodeswas aired on Wednesday evenings from February 4 to April 22.
It was one of the first broadcasts of the RAI, which had started programming a few years ago.
Defined as a “mixed show” for the variety of genres and registers used, Il mattatore allowed Gassman to express an ironic, sulphurous and parodic talent. The same year it became the homonymous film directed by Dino Risi.
There television direction was of Daniele D’Anza. The sets of the episodes were signed by different set designers: Mario Chiari, Giulio Coltellacci, Pierluigi Pizzi, Piero Zuffi, Lucio Lucentini, Gianni Polidori, Veniero Colasanti, Cesarini from Senigallia. The costumes were of Danilo Donati and the choreography from Gisa Geert.
The music was by Fiorenzo Carpi And Piero Umiliani. Some were also drawn from the program record albums of the Fonit Cetra with excerpts of numbers mostly recited by Gassman. The theme song of the transmission – the song Matadoron a text by Gassman and music by Umiliani, read among other things:
|“Matador, toreador and a hundred names again, dictator, emperor, director and first actor, director, commendator and great conqueror …”|
According to theEncyclopedia of Television, “The impossibility of classifying the program in a specific genre has pushed RAI to define this valuable production as a ‘mixed show’, a fluid coexistence of a plurality of genres and registers”.
We can therefore consider this program – always according to theEncyclopedia – a kind of forerunner of the tv containers and a unicum television (experience in some ways unrepeatable, even if then Beppe Grillo And Roberto Benigniamong others, will try to follow the same path).
References to the politics (always filtered by the prudence that government censorship and RAI imposed) and to the themes of the costume of that period (the end of fifties and the approach of economic boom) are even more present in the second cycle of five episodes, broadcast around April 1959. Targets of the satire they were in particular the protagonists of the world of politics, of journalismof the cinema. As a true ‘matador’, “Gassman […] with the exuberance of his gigionesque performances […] he plays with himself and his prey (sure dominator of both) before finishing them “.