He fascinates us with his small and curious gaze and his decisive and impertinent attitude that leaves us speechless. She is a multifaceted artist, she has trod the stage, the big and the small screen and has interpreted a variety of characters that have made her famous. Her editorials are a powerful testament to the fight against male hypocrisy and a celebration of the recovery of womanhood, with her characteristic wit and genuine indignation about her.
Growing up in the San Donato district of Turin, Luciana Littizzetto was passionate about music and graduated in piano at the city’s conservatory in 1984. She later dedicated herself to teaching music in a middle school on the outskirts of Turin and to drafting the monthly game She also enrolled in the Faculty of Letters at the Magisterium, graduating in 1990 with a thesis on the history of melodrama. In the meantime, she attends the acting school of the Istituto d’Arte e Spettacolo at the Dravelli club in Moncalieri, eager to take her first steps in the world of cabaret shows. She also tries her hand at dubbing, eventually winning the “Ettore Petrolini” award at the “Bravograzie!” Festival. Aosta Festival. Here she attracted the attention of Serena Dandini, who wanted her in her program “Avanzi”, enjoying enormous success with audiences and critics.
Debut in television and cinema.
From this point forward, he creates vibrant characters that will cement Littizzetto’s reputation as one of television’s and stage’s most renowned actresses. In 1993 you staged the show “Parlami d’amore Manù”, where you presented a plethora of human types, consumers enslaved by society, conformists in a state of identity confusion, all supported by an innate sense of irony. In the same year she played Sabrina (famous for her catchphrase “Minchia Sabbry!”) in the Raitre program “Cielito lindo” in collaboration with Athina Cenci and Claudio Bisio, to then debut as a radio presenter alongside Piero Chiambretti. You work for a long time in Rai, collecting jokes, sketches and numerous comedy shows that make you known to viewers. He then moved on to Mediaset in “Facciamo Cabaret” and “Ciro”, to then make his debut in the cinema with a minor role in the comedy Tutti sotto per terra (1997) by Davide Ferrario and above all in the great success of Three men and a leg (1997) by trio Aldo, Giovanni and Giacomo.
From this moment on, he euphorically creates sensational characters who will immortalize Littizzetto’s recognition as one of the most illustrious actresses of television and theatre. In 1993, with the show “Parlami d’amore Manù”, you presented a vibrant gallery of human types, victims of consumerism, conformists in an identity crisis, all built on the basis of an instinctive irony. In the same year, in the role of Sabrina (the catchphrase “Minchia Sabbry!” is unforgettable), she participates in the Raitre program “Cielito lindo” where she works with Athina Cenci and Claudio Bisio, then makes her debut as a radio voice alongside Piero Chiambretti. You have worked extensively in Rai, accumulating gags, sketches and numerous comedy skits that have made you popular with the television audience. He then moved on to Mediaset in “Facciamo Cabaret” and “Ciro”, to then make his film debut with a small role in Davide Ferrario’s comedy Tutti sotto per terra (1997) and above all in the extraordinary success of Three men and a leg (1997) by trio Aldo, Giovanni and Giacomo.
I am absolutely euphoric for the success of the meeting with Luca and Paolo: I will never give up on my goal!
After her stunning film debut, Littizzetto continued to shine on both television and radio. She appeared in numerous episodes of “Mai dire gol” and returned to the set of Claudio Malaponti’s comedy “La grande prugna”. You also had the honor of working with Ezio Greggio, Mel Brooks and the parody produced by Gialappa’s All the dying men by Paolo Costella. Her film career had a surge with the comedy of misunderstandings So mambo! of 1999, where you acted alongside Luca Bizzarri and Paolo Kessisoglu in a brilliant collaboration that continued in the second chapter Tandem (2000). Littizzetto is an undeniable star of incredible talent.
I’m so happy to be at the cinema with Davide Ferrario!
She made herself known in the literary world with the book L’agenda di Minchia Sabbry and wrote the screenplay for Pale Radish (2001), in which she plays the role of an “unattractive” woman seeking revenge. Among her other works we mention Se devo essere sincera (2004), directed by his friend Davide Ferrario, Natale a casa Deejay (2004) and Manual of love (2005). But it is her books that have made her known, starting with “I love you, bastard” and the remarkable success of “Sola come uno stbo di celery” (which has sold more than a million copies), followed by “The princess on the pea” and “Col cavolo”, which have been translated into other languages. Her work is truly inspiring!
My bond with Fabio Fazio, his passionate films and his hilarious comedies fascinate me so much!
TV can’t wait to have her in countless broadcasts, from Fiorello’s “Stasera pago io” to the Sanremo Festival, where she passionately kisses with Pippo Baudo, and in the conducting of “Le iene”, together with Luca and Paolo. In 2006 she starred in the precarious film Cover Boy – The last revolution, after which she was confirmed as a regular guest on the program “Che tempo che fa” by Fabio Fazio, where for the first time she presented herself to the public as the real herself, abandoning the characters who made her famous and enthusiastically sharing her long and irreverent monologues on current issues.
In 2006, he released “Rivergination,” which was an instant success, quickly becoming one of the best-selling books of the year. Two years later, in 2008, she published “The Furious Jolanda”, which achieved great success and was one of the best-selling books of the year. Her passion for writing was evident in these works, and it was clear that she had a gift for storytelling.
In 2007, the President of the Republic Giorgio Napolitano welcomed her with open arms, awarding her the coveted De Sica Prize, a symbol of recognition for the greatest protagonists in the world of entertainment and culture. The following year she returned to the big screen as a nun in the musical comedy Tuta Blame di Giuda and then in Weddings and Other Disasters. In 2008 you participated in the television fiction Pinocchio in the role of the talking cricket. Between 2010 and 2011 she made her triumphant return to the cinema with Parents and Children: Shake well before use, Males against Females, Females against Males and the romantic The extra day. In 2012 she was directed by Lucio Pellegrini in the comedy A star is born, where she plays the role of a mother who discovers her son’s hidden work as a porn star.
In 2013 she was thrilled to assist Fabio Fazio in conducting the Sanremo Festival and to participate in the remake directed by Massimo Venier Aspiring Widowed, a moment she will never forget!